Mosquitoes gets a bit of a break as another show uses its in-the-round set to tell a different kind of story – although there’s still buzzing insects involved, as The Majority’s design (by Jemima Robinson) features a lot of bees and honeycomb motifs. It’s the latest play by Rob Drummond, aka that bloke I shot that time, who keeps an audience participation element but spreads it out equally this time: The last few years have been marked by hugely impactful votes on binary, not always well-defined choices, and this is the structure The Majority is based around. As with the recent Terror, every audience member is given a keypad which will record their vote on a number of yes/no questions posed by Drummond. Most of them will serve to give an idea of the audience’s moral position but a couple will affect where his story goes and how it’s told.
Thursday, 17 August 2017
Tuesday, 15 August 2017
Thursday, 10 August 2017
Twilight Song, in Finsbury Park, over in Islington the King’s Head revives his 1982 debut, Coming Clean; and taken together they do make it look like My Night With Reg was, if not a fluke, at least an outlier. American writer and lecturer Greg (Jason Nwoga) and lazy wannabe writer Tony (Lee Knight) have been together for five years and are happy together if a bit set in their ways. These ways do include a bit of extramarital action, though – we’re in the pre-AIDS era here and they’ve got an agreement that they can sleep with other people as long as it’s confined to one-night stands. This gets complicated when they hire an unemployed actor, Robert (Tom Lambert) as a house cleaner, and Greg’s apparent impatience with him conceals an attraction.
Tuesday, 8 August 2017
the woman who woke Peter Hall up from his nap that time, although she’s got a bit better at the acting since then. Following The Pride a couple of years ago, Jamie Lloyd revives another Alexi Kaye Campbell play at Trafalgar 1, with Stockard Channing taking on the role of esteemed art historian and 1960s political activist Kristin in Apologia. The setup is the well-worn dinner-party-from-hell format, as Kristin hosts family and friends to celebrate both her birthday, and the publication of her latest book, also titled Apologia. This one’s marketed as a memoir of her life, which makes the fact that it doesn’t even mention the existence of her two sons (both played by Joseph Millson) an omission which seems to distill their relationship.
Sunday, 6 August 2017
Thursday, 3 August 2017
a Meat Loaf jukebox musical at the ENO seemed like the summer’s most eccentric bit of programming, how about a Bob Dylan jukebox musical at the Old Vic? Conor McPherson writes and directs Girl from the North Country, which I hadn’t initially planned to see but some very interesting casting convinced me otherwise. Cast mostly with actors-who-can-sing rather than predominantly musical theatre actors, I already knew the likes of Sheila Atim, Bronagh Gallagher, Jack Shalloo, Debbie Kurup, Michael Shaeffer and Karl Queensborough could sing, but there’s also a number of pleasant surprises in a show that, music aside, I didn’t quite know what to make of. Set in Depression-era Duluth, the story centres on a guest house run by Nick Laine (Ciarán Hinds,) whose wife Elizabeth (Shirley Henderson) has early-onset dementia, and whose main relief from the financial and personal pressures he faces is an affair with one of his guests, Mrs Neilsen (Kurup.)
Wednesday, 2 August 2017
Streetcar Named Desire with another of the most famous Tennessee Williams plays, Cat on a Hot Tin Roof. We’re still in a sweltering part of the American South (Tennessee itself, this time,) but unlike most Williams characters nobody here is strapped for cash: Big Daddy (Colm Meaney) owns the largest plantation in the state, and his whole family have gathered to celebrate his 65th birthday. What most of the family knows but he doesn’t is that this is his last birthday: The tests he was told came back negative actually revealed he has terminal cancer and very little time left. We see the action from the perspective of alcoholic younger son Brick (Jack O’Connell) and his wife Maggie (Sienna Miller.)
Monday, 31 July 2017
Friday's one-off performance at the Old Vic, Max Webster joins Mark Gatiss on directing duties for the concluding four monologues from BBC4's Queers series. Once again the stories take us through the decades before and after the decriminalisation of homosexuality, beginning during the Blitz with Keith Jarrett's The Safest Spot in Town. Kadiff Kirwan plays a dapper West Indian who immigrated to London a few years earlier, finding a more insidious, two-faced form of racism than he'd expected. The arrival of German bombers has created, for a while at least, a more inclusive atmosphere as everyone's up against a common enemy. But, in what is probably the slightest of the eight short plays, he finds it hard to forget being turned away from the places that now want his custom, and goes cottaging instead - a life-changing decision.
Saturday, 29 July 2017
Friday, 28 July 2017
Thursday, 27 July 2017
Manwatching, the Bush are releasing a list of the performers in advance, but not revealing who will appear at which performance until it actually begins. The performer - Khalid Abdalla tonight - is confronted with a screen on which flash cards are projected, with the script for him to read out, and instructions for him – and occasionally the audience – to carry out. Soleimanpour himself is turning the pages backstage, and about halfway through the play the playwright joins the performer onstage.
Wednesday, 26 July 2017
Chimerica, Lucy Kirkwood’s latest play Mosquitoes gets its premiere at the National Theatre, with Rufus Norris directing, a Katrina Lindsay set full of bells and whistles and spectacular projections, and most of all the central roles filled by two Future Dame Olivias: Williams plays Alice, a particle physicist working at CERN in the buildup to the Large Hadron Collider being switched on for the first time. Colman is her sister Jenny, the black sheep in a family full of scientists, as she’s superstitious and much more likely to believe any unfounded rumour she reads online than empirically proven facts. In particular, she believed the scare stories about the MMR vaccine causing autism and refused to vaccinate her baby daughter, with tragic results that kick off the story: In need of some support Jenny is visiting her sister in Switzerland, along with their mother Karen (Amanda Boxer.)
Tuesday, 25 July 2017
Thursday, 20 July 2017
Tuesday, 18 July 2017
Monday, 17 July 2017
Thursday, 13 July 2017
Yerma at the Young Vic, over at the Royal Court we have another childless woman taking a much more pragmatically 21st century approach to the problem. She’s not yet got the profile of someone like James Graham, Lucy Kirkwood or Polly Stenham but ever since her debut with Mogadishu* Vivienne Franzmann has been delivering such consistently good work she’s as much of a must-see playwright for me as any of them. In Bodies the woman desperate for a child is Clem (Justine Mitchell,) who after five miscarriages has opted for surrogacy. Her husband Josh (Jonathan McGuinness, reading in the role after Brian Ferguson got ill,) will provide the sperm, the eggs come from an unknown woman in Russia, while actually carrying the baby will be Lakshmi (Salma Hoque) in India, where surrogates have very few rights.
Tuesday, 11 July 2017
Amadeus made the prospect of seeing the film version’s star, F Murray Abraham, on stage even more of a draw for me. So it’s a good job his performance in The Mentor lives up to expectations, because little else about Daniel Kehlmann’s play was really memorable enough to stay with me past the Vaudeville’s front doors. Kehlmann is apparently a huge name in Germany right now, and being the first to bring him to the UK are the team of translator Christopher Hampton and director Laurence Boswell, who in recent years also introduced us to Florian Zeller. And there is more of a French than German aesthetic to Polly Sullivan’s design, a country garden inside a white box, with chairs shaped like human hands as a clue that pretension is welcome here – a retreat owned by an arts charity that pairs established names with promising newcomers to develop new work.